CL-koussa

 Answer the following questions:

• Comparative literature has first emerged in France ........

  Around the beginning of the seventeenth century

  around the beginning of the eighteenth century

  around the beginning of the nineteenth century

  around the beginning of the twentieth century

• According to American critics, French school concept of comparative literature

  has a determination of method

  has an idealistic methodology

  gives limited scope to 'general literature'

  is colored by binary studies

• According to the French comparatists, the movement of an idea, a theme, or an image from a literary text to another is called.................

  Reception

  literary influence

  borrowing

  non-literary influence

• French comparatists believe that...........

  Direct influence needs no documentary information

  there can never be indirect influence

  indirect influence can take place through translations

  influence can never exist between two different writers

• French comparatists believe that...........

  The reception of a foreign work means that it is a sign of 'positive influence'

  there is no difference between 'influence' and 'reception'

  'influence' can be taken as a step on the road to 'reception'

  'reception' can be taken as a step on the road to 'influence'

• The founding father of the American school of comparative literature is..................

  Tieghem

  Jean Marie Carre

  Henry Remak

  Baudelaire

• American school comparatists believe that.............

  comparative literature should be regarded as a discipline on its own

  there can never be a comparative study between literature and other fields of cognition

  comparison can be made between two or more different literatures and between literature and other disciplines

  comparative literature can never connect different subject areas

• Parallelism refers to..................

  affinities between the literatures of different people regardless of direct relations

  affinities between the literary works in a certain nation

  the reference of a text to another

  direct relation and mutual influence between texts

• intertextuality refers to.....................

  A particular theme, story or myth that can be repeated in different ways

  the impossibility that a writer blends another text into his own

  references inside the text itself

  a specific approach of reading and interpreting a text

• Salah Abdul-Sabur does not show much interest in myths. Instead, he uses ............. to link the past with the present

  visual imagery

  historical figures

  myths

  impersonality